Boris Johnson: ‘Time we stopped our cringing embarrassment about our history’

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Media captionBrits should end “this general bout of self-recrimination and wetness” says the PM

Prime Minister Boris Johnson has said the UK needs to stop its “cringing embarrassment” about its history.

Mr Johnson was responding to news that only orchestral versions of Land of Hope and Glory and Rule, Britannia! will be played at this year’s Last Night of the Proms.

But BBC boss Tony Hall backed the Proms decision to play instrumental versions of the songs on its Last Night.

“I think they have come to the right conclusion” Lord Hall said.

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Media captionTony Hall: “I think they have come to the right conclusion which is actually to include it instrumentally”

The concert is due to take place on 12 September but without an audience and with limited performers at the Royal Albert Hall, due to concerns around Covid-19.

In an interview with BBC media editor Amol Rajan on Tuesday, Lord Hall cited the difficulties of singing to an empty hall but added he suspected the lyrical versions would return next year.

But Mr Johnson told reporters: “I cannot believe… that the BBC is saying that they will not sing the words of Land Of Hope And Glory or Rule Britannia! as they traditionally do at the end of The Last Night of The Proms.

“I think it’s time we stopped our cringing embarrassment about our history, about our traditions, and about our culture, and we stopped this general fight of self-recrimination and wetness.

“I wanted to get that off my chest,” he added.

In response, a Labour Party spokesperson said: “The pomp and pageantry of the Last Night of the Proms is a staple of British summer.

“The running order is a matter for the organisers and the BBC, but enjoying patriotic songs does not – and should not – present a barrier to examining our past and learning lessons from it.”

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Lord Hall said: “We have come to the right conclusion which is a creative conclusion, an artistic conclusion… it is there in a medley of instrumentals playing around sea shanties and all of that and I suspect it will be back next year.”

He pointed to the difficulties in putting on the Proms without the usual audience.

“The point is they’ve come to the right conclusion, which is it’s very, very hard in an Albert Hall that takes over 5000 people to have the atmosphere of the Last night of the Proms and to have things where the whole audience normally sing along – it’s quite hard creatively, artistically to make that work.”

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In a statement on Monday evening, BBC Proms said it was announcing the concert’s programme following recent speculation.

It said there would be new orchestral versions of Land Of Hope And Glory, and Rule, Britannia!, as well as a new arrangement of Jerusalem, which will be sung.

“With much reduced musical forces and no live audience, the Proms will curate a concert that includes familiar, patriotic elements such as Jerusalem and the National Anthem, and bring in new moments capturing the mood of this unique time, including You’ll Never Walk Alone, presenting a poignant and inclusive event for 2020,” the statement said.

Ivor Novello-winning composer Errollyn Wallen confirmed online on Monday evening that she is making the new arrangement of Proms favourite, Jerusalem,

“In it I remember the Commonwealth nations and am dedicating the work to the Windrush generation,” tweeted the Belize-born British musician.

‘A panic about race’

Trevor Phillips, the former chairman of the Equalities and Human Rights Commission, told Times Radio he felt the BBC Proms panics when it came to issues of race.

“The real problem the corporation has is that it is always in a panic about race, and one of the reasons it is always in a panic is that it has no confidence,” he said.

“The principle reason it has no confidence… is that there is no ethnic diversity at the top of its decision-making tree.

“What you have is rooms full of white men panicking that someone is going to think they are racist.”

Broadcaster and choirmaster Gareth Malone has suggested the anthems are outdated, tweeting: “It’s time for Rule Britannia! to go.”

All the familiar tunes will be there but in a very unfamiliar setting.

The Last Night of the Proms will still have Jerusalem, the National Anthem and new orchestral versions of Rule, Britannia! and Land Of Hope And Glory.

However, there will be no live audience in the Royal Albert Hall to sing along, and the number of musicians and singers will be reduced and dispersed around the hall because of social distancing.

The music will, the BBC says, have to be adapted to reflect the new circumstances – which means there will be no singing of Rule, Britannia! and Land Of Hope And Glory.

The rumours that the tunes were being dropped for political reasons because of concerns about lyrics extolling Britain’s imperial past has led to a heated debate.

The BBC says the orchestra-only arrangement was how the tunes were first performed at the Proms in 1905, and it’s clear the evening’s two rousing sing-along tunes would sound odd and perhaps rather bleak with just a handful of singers spread around an empty hall.

It’s understood that the songs will return with their lyrics when the coronavirus restrictions come to an end.

Meanwhile, Jerusalem, another sing-along favourite, will still have its words, as will the National Anthem.

Meanwhile, Tory MP Michael Fabricant said the move was “all very sad”, adding: “There’s some lovely words to Rule Britannia.”

Speaking on BBC Radio 4’s Today programme, he called for a “compromise” of a single voice performing the tune, rather than the usual sing-along version.

“Let’s just have a single voice singing those words proudly,” he said. “There’s nothing wrong with a bit of tradition, and it’s a beautiful tune.”

Chi-chi Nwanoko runs the Chineke! Foundation, which aims to provide opportunities for black, Asian and ethnically diverse classical musicians in the UK and Europe.

She told the BBC: “We find it offensive.

“For any conscious black person who is aware of their history, the empire and colonialism, for example, they will struggle to enjoy the patriotic jingoism of these songs.”

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